Amnesia
Member
At the seventh day of the Venice Film Festival, the audience and the media were a little tired, and the gentle or even mediocre narrative can no longer stir nerves.
The [Sound of Light] thunders on the ground, refreshing and refreshing. As soon as it opened, it used cruel scenes such as firelight, corpses, and blood to pin the audience's eyes on the big screen.
[Voice of Light]
This is a single-play by the heroine Celeste. When I saw the brief introduction of the plot, I was also worried about a character growth movie that was too stable. But it uses a three-act structure to avoid the tediousness of linear narrative.
All superstars and even cultural icons must have different faces. On the stage they were more gorgeous than the lights, shouted their arms, and responded to the crowd. In the endless discussions on the streets, their lives are chaotic and arrogant.
But there should also be a place in my heart, confused and broken. Isn't this the case with art? Not crazy, not live. Turn the wound in the heart into a knife, take it to hurt people, and sacrifice art with blood.
[Sound of Light] Using Celeste as a sample, it seems to be the dissection of all the falling superstars, but the movie shows them at the moment when they rise up and become gods. I don't think I need to call the rolls, so everyone can think of the names of countless superstars.
Celeste's deity is based on two terrorist attacks. Absurdly, countless tragedies of death and injury, instead took Celeste on the road to stardom. The goddess of destiny is too vicious. It was the star road that led her to chaos and confusion, because of chance, she had another intersection with another terrorist attack. The roulette wheel of fate has made a round and returned to its original point. But the middle years are all omitted.
The next time, Celeste had no compassion during the terrorist attack, and it was once puzzled why Cassidy and Portman's Celeste seemed to be two people.
Cassidy is like an angel, whether it is the response to a terrorist attack, or the sound of natural sounds, it is filled with fairy air. [World of Tomorrow] has already witnessed that this girl has a mature soul under the face of Loli. This time it is still the same, and the level is even richer.
Portman's performance is mean, nervous, bitch, tight-fitting costumes attached to her, the twisted waist can not be ignored. Her mouth is a machine gun, and every minute and every second it fires out-of-date words, hurting people without knowing it, or even caring.
Their performances perfectly capture the temperament of these two poles, one into immortality and one into magic.
The [Sound of Light] thunders on the ground, refreshing and refreshing. As soon as it opened, it used cruel scenes such as firelight, corpses, and blood to pin the audience's eyes on the big screen.
The 75th Venice Film Festival
Main competition unit
[Voice of Light]
Director: Brady Corbett
Starring: Natalie Portman, Rafi Cassidy, Jude Law, Stacy Martin
Movie rating: ★★★ ☆
This is a single-play by the heroine Celeste. When I saw the brief introduction of the plot, I was also worried about a character growth movie that was too stable. But it uses a three-act structure to avoid the tediousness of linear narrative.
All superstars and even cultural icons must have different faces. On the stage they were more gorgeous than the lights, shouted their arms, and responded to the crowd. In the endless discussions on the streets, their lives are chaotic and arrogant.
But there should also be a place in my heart, confused and broken. Isn't this the case with art? Not crazy, not live. Turn the wound in the heart into a knife, take it to hurt people, and sacrifice art with blood.
[Sound of Light] Using Celeste as a sample, it seems to be the dissection of all the falling superstars, but the movie shows them at the moment when they rise up and become gods. I don't think I need to call the rolls, so everyone can think of the names of countless superstars.
Celeste's deity is based on two terrorist attacks. Absurdly, countless tragedies of death and injury, instead took Celeste on the road to stardom. The goddess of destiny is too vicious. It was the star road that led her to chaos and confusion, because of chance, she had another intersection with another terrorist attack. The roulette wheel of fate has made a round and returned to its original point. But the middle years are all omitted.
The next time, Celeste had no compassion during the terrorist attack, and it was once puzzled why Cassidy and Portman's Celeste seemed to be two people.
Cassidy is like an angel, whether it is the response to a terrorist attack, or the sound of natural sounds, it is filled with fairy air. [World of Tomorrow] has already witnessed that this girl has a mature soul under the face of Loli. This time it is still the same, and the level is even richer.
Portman's performance is mean, nervous, bitch, tight-fitting costumes attached to her, the twisted waist can not be ignored. Her mouth is a machine gun, and every minute and every second it fires out-of-date words, hurting people without knowing it, or even caring.
Their performances perfectly capture the temperament of these two poles, one into immortality and one into magic.