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As one of the most important hot style in Netflix's homemade series, Stranger Things, which is immersed in the small-town culture in the 1980s, not only doesn't end badly, but even stands out in some aspects. With their admiration for Steven Spielberg and Stephen King, Shawn Levy and the Duffy brothers offer a perfect place for today's adults to escape reality and look back on innocence, by the standards of feature films.
Is valuable to the third quarter of the Stranger Things ", and more consciously to correct the deficiencies in the series in the second quarter - especially (" the hangover ") narrative pattern to repeat itself, in the third quarter of the Stranger Things "to reduce the horror element and adds more traditional drama of youth and commercial action content, make every single set is no longer like fragmentation pieced together film, but a coherent clearer limit show, which further brought new disparate possibilities.
Of course, in this process, part inevitably to stay away from the spotlight, could see plainly that bias on writing: adult emotional line marking time until disappear, the teenagers as well as learn to balance the love and friendship is just on the surface area, the eight focus only a scene will be deep discussion.
But youth, serious and cruel, does not seem quite right for our much-loved children: As well as "Invasion of the Body Snatchers," "Red Dawn," "Star Wars," "the Thing" by John Carpenter, "Day of the Dead" by George a. Romero, "the Terminator" by James Cameron, "Back to the Future" by Robert Zemeckis, To wake up a child in the middle of a greasy or balding life.
That's because, while growth and advancement are inevitable, it doesn't mean we can't be childish and enjoy the struggle.
Just as the "evil" Shopping Mall will impact the traditional commercial street, as long as it is properly operated, it is not a bad thing that the old is better than the new. The third season of "Stranger Things" is a typical example of such steady progress.
Overall, if Stranger Things Season 2 seems too dark and patchy, season 3 is a lot brighter, smoother and funnier. What the children watch in the cinema is still the old films of the 1980s that the American audiences have seen, and what the children live in is still the small American town that the American audiences have experienced.
Is valuable to the third quarter of the Stranger Things ", and more consciously to correct the deficiencies in the series in the second quarter - especially (" the hangover ") narrative pattern to repeat itself, in the third quarter of the Stranger Things "to reduce the horror element and adds more traditional drama of youth and commercial action content, make every single set is no longer like fragmentation pieced together film, but a coherent clearer limit show, which further brought new disparate possibilities.
Of course, in this process, part inevitably to stay away from the spotlight, could see plainly that bias on writing: adult emotional line marking time until disappear, the teenagers as well as learn to balance the love and friendship is just on the surface area, the eight focus only a scene will be deep discussion.
But youth, serious and cruel, does not seem quite right for our much-loved children: As well as "Invasion of the Body Snatchers," "Red Dawn," "Star Wars," "the Thing" by John Carpenter, "Day of the Dead" by George a. Romero, "the Terminator" by James Cameron, "Back to the Future" by Robert Zemeckis, To wake up a child in the middle of a greasy or balding life.
That's because, while growth and advancement are inevitable, it doesn't mean we can't be childish and enjoy the struggle.
Just as the "evil" Shopping Mall will impact the traditional commercial street, as long as it is properly operated, it is not a bad thing that the old is better than the new. The third season of "Stranger Things" is a typical example of such steady progress.
Overall, if Stranger Things Season 2 seems too dark and patchy, season 3 is a lot brighter, smoother and funnier. What the children watch in the cinema is still the old films of the 1980s that the American audiences have seen, and what the children live in is still the small American town that the American audiences have experienced.
